![]() The world, story and artistic style drew from Japanese and Western comics including the work of French artist Jean Giraud. The team overcame technical challenges due to the gameplay and chosen hardware. Navigation and combat heavily involve Kat's gravity-altering abilities.īeginning development for PlayStation 3 in 2008 under the title Gravité before moving to the Vita, Gravity Rush was conceived by director Keiichiro Toyama prior to his work on Silent Hill and the Siren series. Gameplay has Kat exploring the open world of Hekseville, completing missions for townsfolk and defeating Nevi. In Gravity Rush, players control Kat, an amnesiac with the power to manipulate how gravity affects her, and uses her powers to help the people of Hekseville against the mysterious Nevi, helping its people against threats and uncovering the mystery behind her past. ![]() Gravity Rush Remastered, a high definition remaster developed by Bluepoint Games for the PlayStation 4 was released in 2015 in Japan and 2016 in the West. I guarantee you'll love it.Gravity Rush, known in Japan as Gravity Daze, is a 2012 action-adventure video game developed by Japan Studio's Team Gravity division and published worldwide by Sony Computer Entertainment for the PlayStation Vita. If you haven't found this Aussie gem yet, find it, buy it, watch it and then watch it again. And yes, I know what you're thinking, it's an Australian show, they probably constantly introduce themselves with a g'day and throw in phrases like strewth or fair shake of the sauce bottle (what does that even mean?), but Rush (kindly) eschews this cultural stereotype, focusing instead on the actual plot/technical-aspects-in-general of the show (hint to all other Aussie shows out there, get you're acts together!). It looks like a constant Bourne film, but if that puts you off, don't worry, each and every shot is perfectly chosen for maximum effectiveness and won't impair your view exorbitantly. And they're far too smart to, 1) always let them win and 2)let them get away with a clean conscience. They also are incredibly inventive, thinking up new and interesting, though never unfeasible, ways to test the team's abilities. The writers also seem to realize that drama doesn't only manifest itself in the killing off of characters, creating twisted character arcs with forbidden love, delusions of grandeur, the whole shebang. ![]() The actors themselves help to create this feeling, each of them seeming to know their character inside out and instinctively know how to portray a welcome change from the soap opera actors which usually back up the lead in todays cop shows. Each line of the perfectly restrained script flows naturally from the characters, never feeling forced and never feeling scripted. Each character is well developed throughout the course of the series and, despite the lack of meaninglessness, the action contained in a single episode rivals any cop show any American television. Instead of overloading the viewers with meaningless action, Rush prefers to spend a lot more time on its characters, adding depth to each one of them every episode. Rush isn't just a great cop show, it's a great drama as well, with characters who stay true to themselves and each episode outdoing the last.
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